A few weeks ago I compared a film to an impromptu casserole made from available ingredients on your pantry shelf. So let’s stick with the culinary metaphor once again and whip up a big pot of movie soup.
It’s the time of year when film writers everywhere offer up their “Ten Best” lists. Granted, you’ll not see movies of this quality in one sitting, or even over a couple of months. And, it’s entirely possible you may have missed some of these jewels simply because of time constraints, or maybe you never heard of them before.
I know many of us have gone to a movie simply because of the “over-hype” where the end product was nowhere nearly as good as the sales job. I have just discovered another arena of disappointment: “over-expectation.” As a big fan of westerns and of the films of Quentin Tarantino, I have awaited Django Unchained as if it were the star on top of the Christmas tree. Imagine my surprise when the film he delivered did not live up to what I envisioned he could deliver. And I’m not saying it’s a bad film, but it has enough little things wrong with it to chalk it up as a disappointment.
Sir Anthony Hopkins and Helen Mirren are starring in the story of the Hollywood legend who brought us The Birds, North by Northwest and Psycho, Alfred Hitchcock. Hitchcock is now playing in local theaters and Larry Thomas has a review.
Best known for the crime drama The Counterfeiters that won the foreign-language Oscar in 2008, Austrian director Stefan Ruzowitzky's Deadfall is his English-language debut feature. I was interested in seeing Deadfall since, despite despising cold, snowy Midwest winters, I have a fascination with movies that have a cold, snowy setting. Films like the Swedish vampire masterpiece Let the Right One In, or the Coen Brothers classic Fargo. Deadfall was obviously influenced by Fargo.