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Author Interviews
12:40 pm
Wed August 29, 2012

Victor LaValle On Mental Illness, Monsters And Survival

Credit E. Robateu / Random House
Victor LaValle is also the author of Slapboxing with Jesus, The Ecstatic and Big Machine.

Originally published on Wed August 29, 2012 1:58 pm

In Victor LaValle's new novel, The Devil in Silver, a man is mistakenly committed to a mental hospital where a buffalo-headed monster stalks patients at night.

The plausibility of a monster roaming the hospital's halls made sense, says LaValle, who has a personal connection to the mentally ill.

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Monkey See
12:03 pm
Wed August 29, 2012

Entirely Real Photos: Model Or Headless Disney Mascot?

Originally published on Wed August 29, 2012 12:49 pm

This is a model walking during a Maria Sofia Bahlner fashion show from what I am told is the "Swedish School Of Textiles," during Mercedes-Benz Stockholm Fashion Week.

This is undoubtedly an example of avant-garde design, fashion as art, exploration of textile possibilities ... I have no doubt, it is artistically driven.

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Dance
11:51 am
Wed August 29, 2012

Brooklyn Mack, From Ball Player To Ballet Star

Originally published on Wed August 29, 2012 12:03 pm

Brooklyn Mack used to dream of becoming a football player. He took up ballet, at age 12, to beef up his athleticism — and he never turned back. Earlier this summer, Mack became the first African-American man to win gold at the International Ballet Competition in Varna, Bulgaria. Mack speaks with host Michel Martin about his life and his career.

Monkey See
11:18 am
Wed August 29, 2012

The Eternal Leonard Maltin: The Movie Guide That Gives And Gives

Credit Frazer Harrison / Getty Images for AFI
Seen here in 2010, film critic Leonard Maltin has been dishing out his reviews in capsule form since 1969.

Originally published on Wed August 29, 2012 5:00 pm

When I was a kid, I awaited the annual publication of Leonard Maltin's Movie Guide with the awe and dread of a Parent/Teacher interview. Sure, film criticism is a subjective thing, but to my young eyes, the 16,000+ capsule reviews in Maltin's yearly reference book carried the weight of absolute truth. Each year, with the austerity of a poet and the precision of a diamond-cutter, Maltin and his army of cowriters pass swift, one-to-ten-paragraph judgment on hundreds of new films, and a small part of me will always believe the Guide is blessed with objectivity.

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