Fresh Air

Weekdays at 1 PM

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. Linda Ronstadt is the subject of a new documentary that opened today called "Linda Ronstadt: The Sound Of My Voice." We're going to listen back to the interview I recorded with her in 2013, a month after she revealed that she had Parkinson's disease and could no longer sing. The disease had ended her singing career years before it was diagnosed.

Ken Burns is our great explainer, television's finest illustrator. He's a filmmaker who gives us what we know from fresh angles, so that we can learn more and appreciate topics on a deeper level. Whether his subject is the Civil War or baseball, Burns has made an art of divining what most Americans know about a subject and then putting an arm around our collective shoulder and murmuring, "Yes, but have you seen this?"

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. I don't know about you, but I've been really confused lately about how and what I should be recycling. And I'm confused about what happens to my recycling after it's carted away. I'm referring to plastics and paper as well as electronics, including old phones and computers. We used to ship a lot of our waste to China for recycling. But recently, China stopped taking it. Now what? What are governments doing and what is industry doing to deal with the problem of waste?

When fashion designer Tan France got the call to audition for the Netflix makeover series Queer Eye, his initial reaction was to say no. France, the gay son of Pakistani Muslim immigrants, didn't want to take on the burden of representing his community — especially on television.

"The thought of being one of the very first openly gay South Asian men on a major show. ... That pressure was so hard to handle," he says. "The pressure of being one of the first to do something is massively stressful."

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

This is FRESH AIR.

During the early period of the Cold War, the CIA became convinced that communists had discovered a drug or technique that would allow them to control human minds. In response, the CIA began its own secret program, called MK-ULTRA, to search for a mind control drug that could be weaponized against enemies.

Now that it feels like we're living in a society that I find myself thinking of as "Gilead lite," how could The Testaments, Margaret Atwood's highly anticipated sequel to The Handmaid's Tale, possibly convey the same degree of shock as its predecessor? The answer is, it can't.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

On 'Pose,' Janet Mock Tells The Stories She Craved As A Young Trans Person: As a writer, director and producer of the TV series about the underground ballroom community in 1980s New York, she says the work sometimes makes her tear up.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

TERRY GROSS, BYLINE: From WHYY in Philadelphia, this is FRESH AIR. I'm Dave Davies, in for Terry Gross.

(SOUNDBITE OF TV SHOW, "THE DEUCE")

MAGGIE GYLLENHAAL: (As Candy) I want to learn how to make movies.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

When Hurricane Katrina struck New Orleans on Aug. 29, 2005, writer Sarah M. Broom was living in New York City, far away from her hometown and her family. In her extraordinary debut, a memoir called The Yellow House, Broom quotes from interviews with her mother and some of her 11 siblings to piece together the story of what happened when "the Water" roared into their neighborhood of New Orleans East and rose, up, up, up until it edged the tops of the houses.

More than 70,000 Americans died from drug overdoses last year, and a growing number of those deaths are attributed to the powerful synthetic opioid fentanyl. Journalist Ben Westhoff says the drug, while an important painkiller and anesthesia medicine in hospitals, is now killing more Americans annually as a street drug than any other in U.S. history.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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