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  • Billy Gibbons, Frank Beard and Dusty Hill return to a classic sound on their first album in nine years, La Futura.
  • There's an unusual bi-partisan effort to get the Environmental Protection Agency (EPA) to release information about certain Superfund cleanup sites, pieces of land that have been deemed too toxic for development. The EPA says sharing some information about the sites could discourage companies from cleaning up their environmental messes.
  • How the members of Algiers — four musicians in three cities on two continents — made an album for a world as divided and unsettled as they are
  • Director Isaac Greggs is stepping down after nearly 40 years with the marching band at Southern University. The group's intricate, animated performances have thrilled crowds for decades.
  • In Iran, Hypernova faced lashings for playing rock 'n' roll. In Williamsburg, it's practically a crime not to rock. After leaving Iran, band member Raam has encouraged other musicians back home to escape to the U.S., where their art can't be controlled.
  • This week on "Music Notes", you'll find information about a number of big band concerts, a couple of fall festivals, and an interesting program sponsored…
  • Herman's Hermits hit the American pop charts 22 times in the 1960s and early '70s. Now, a new anthology compiles 66 of the Hermits' tracks. Rock historian Ed Ward considers how the music has held up.
  • For Sunset High School's band, Friday night games help prepare for Saturday competitions. That's when band parents and friends cheer for these champions from Portland, Ore., as lustily as football fans and when judges rate musicianship and movement.
  • The influential guitarist, songwriter and singer was best known for the song "Ramblin' Man." Betts's blues, rock and country-influenced guitar style helped define Southern rock in the 1960s and '70s.
  • Ed Martin advanced bogus claims about election fraud in swing states in 2020, and he spoke at a boisterous rally in Washington the day before the siege on the Capitol.
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