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In the early 1960s, writer Norton Juster and illustrator Jules Feiffer created The Phantom Tollbooth, which quickly became a kid-lit classic. Now, 50 years later, the two have finally collaborated once more — this time, on a picture book called The Odious Ogre. They speak to NPR's Liane Hansen about their partnership and their new project.

Garden writer Bonnie Blodgett didn't know what her sense of smell meant to her — until she lost it. Her new book, Remembering Smell, describes what it's like to live in the world without being able to smell it — from the sweet aromas of springtime to the stench of sour milk.

English rose from humble beginnings to become a language that's spoken by people from every corner of the Earth. In Globish, Robert McCrum tells the story of how a mongrel language slowly took the world by storm.

Sportswriter Frank Deford's historical novel, Bliss Remembered, tells the story of a young American swimmer at the 1936 Olympics in Berlin. Deford explains why he was drawn to this particular historical setting — and what it's like to write a novel from the perspective of a woman.

It's easy to feel the romance in the musical relationship between Michael Trent and Cary Ann Hearst, who've become musical embodiments of how loving couples make it work.

On her first studio album since 2008, the 74-year-old firebrand's voice remains relevant, full of spit and vinegar and fun.

Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.

Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.

More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.