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On Cincinnati Edition's weekly news review, local journalists join us to talk about the big stories from recent days.

When the World Health Organization named the new coronavirus variant Omicron, it put a little known Belgian metal band on the map.

A portion of the band's redacted FBI file has been made public, it alleges the band projected subliminal left wing messages during shows.

With AI music generators widely available, scammers are uploading songs to the pages of inactive artists and dead musicians. Spotify says it is cracking down, but the practice persists.

NPR's Scott Detrow talks to NPR's Ann Powers and Marcus Dowling of The Tennessean about how two country songs sit atop the Billboard Hot 100, and the context for this moment.

Jazz critic Kevin Whitehead remembers the musical contributions of Hugh Masekela, Jerry González, Roy Hargrove, Buell Neidlinger, Randy Weston and Vancouver Jazz Festival founder Ken Pickering.

NPR's Scott Simon speaks to The National frontman Matt Berninger about the band's new album, "First Two Pages of Frankenstein," and about the band's embrace of "Sad Dad" moniker.

A white New Yorker says her life changed after she wore an afro wig to a party. Michelle Joni Lapidos has been called a racist, but she tells host Michel Martin she meant no harm; she just loves wearing the fro.

The U.S. Patent and Trademark Office won't approve a trademark for the band's name on the grounds that it's a disparaging term for people of Asian descent. So the band is taking the fight to federal court.

Taylor Swift's chokehold on the Hot 100 is loosening, and that's made room for two fresh career milestones.