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Pakistan's most famous, and infamous, TV evangelist has been rehired by a top station. In 2008, Aamir Liaquat made on-air threats against a religious minority, the Ahmadis. Those comments were followed by widespread violence against the group. Liaquat's return to the airwaves has rekindled the controversy.

When a recipe for Ebinger's Blackout Cake surfaced long after the bakery's demise, Katie Workman knew it was just the thing to make her grandfather. Little did she know the trial that was yet to come.

Nikki Haley's pitch is that she can beat Joe Biden. But now that she's lost — twice — voters are signaling they aren't concerned about electability as much as a candidate that shares their values.

The Trump administration wants to extend the 2017 tax cuts. NPR's Ayesha Rascoe talks with Elena Patel, a professor at the University of Utah, who warns they will dramatically grow the deficit.

Theron portrays the "gray area" of sexual harassment in the new film, Bombshell. Ken Tucker picks his top 10 albums of 2019. Andrews wrote her new memoir with her daughter, Emma Walton Hamilton.

Miranda weighs in about Disney, mixtapes and why he won't try to top the success of Hamilton. Chazelle discusses the brash, defiant and "almost avant-garde" nature of musicals.

Research suggests less than 5 percent of students at America's top colleges and universities come from low-income families. Many of these elite institutions recognize the problem and are taking steps to boost economic diversity on campus -- such as offering full scholarships for underprivileged students. NPR's Anthony Brooks reports.

In the classic video game, you stack pieces until they reach the top of the screen and then the game is over. Willis Gibson made it so far into the game that the code couldn't keep up and it crashed.

Pest control company Orkin says Chicago earned the top spot on its annual list of America's "rattiest" cities — beating out Los Angeles and New York, which came in second and third respectively.

The artist's second album Guts sits at No. 1 on the U.S. and U.K. album charts. Since its release, the album's racked up more sales in Britain — outselling the rest of the U.K. Top 10 combined.