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  • NPR's Steve Inskeep talks to T.J. and John Osborne, of the band Brothers Osborne, about returning to the road after a year of major personal revelations.
  • NPR's Ari Shapiro speaks with Constance Hauman about her new album, Tropical Thunderstorm, her experiences as a multi-genre musician and an artist she's grateful for: Daf player Asal Malekzadeh.
  • Tropical Storm Isaac is expected to strengthen into a hurricane as it churns through the warm waters of the Gulf of Mexico. While its exact track is still uncertain, parts of Florida are being hit by the storms outer bands. Mississippi, Alabama and Louisiana are preparing as well.
  • It's Oscar season, meaning that classic toe-tapper "Hooray for Hollywood" will soon be booming out of TV speakers everywhere. But the cheery cinema hymn has a more complicated compositional past, as NPR's special correspondent Susan Stamberg explains.
  • It's National Hispanic Heritage Month, and NPR is marking the occasion with music. NPR's Latin Music podcast Alt Latino is showcasing 10 Latin Music performances from eight cultures and countries.
  • The comedian once worked in advertising — until he got caught dozing on the job. So, he took his savings and stepped on stage. Still, it was years before he hit his big break: a gig on the Late Show.
  • With the upcoming release of the movie Chicken Little, Disney hopes to reclaim its animation credentials. The company's films have been overshadowed in recent years by computer-animated offerings from other studios.
  • Two albums featuring the late rock 'n' roll icon have been released — Memorial Collection and Down the Line: Rarities. Rock historian Ed Ward considers Holly's music and tragic death.
  • Robert Plant and Alison Krauss took home the highest honor at Sunday's Grammy Awards: album of the year for Raising Sand. The duo also won record of the year for their song, "Please Read the Letter." In all, Plant and Krauss won five Grammys, the most of the night. Coldplay and Lil Wayne each won three Grammys.
  • Jones is the first African American woman ever nominated for an Emmy for an original television score. She got her start because producer/writer Lena Waithe took a chance on her.
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