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Music critic Milo Miles tells us how the klezmer-fusion band the Klezmatics are keeping the music of Woody Guthrie alive. Their latest albums are Woody Guthrie's Happy Joyous Hanukkah and the Grammy-nominated Wonder Wheel. They are currently on tour.

A criminal investigation is under way in the wake of a fire that left at least 96 people dead at a Rhode Island nightclub. Owners of The Station say the band Great White, whose performance at the club included a pyrotechnics display, is responsible for the disaster, but investigators have yet to assign blame. NPR's Chris Arnold reports.

Rock critic Ken Tucker reviews new albums from The Buzzcocks and Paul Weller, the frontman from the band The Jam. The album titles are Buzzcocks and Illumination.

Nashville-based band Lambchop has two new albums out, Aw C'mon, and No, You C'mon. Both CDs rely on lush guitar rhythms and a sultry sound, combined with the unmistakable baritone of bandleader Kurt Wagner. David Greenberger has a review.

The British rock band Supergrass arrived in 1995 with a mixture of '70s glam-rock, wall-of-sound production and sweet bubblegum refrains. Critic Tom Moon of the Philadelphia Inquirer says the group's fourth release, Life On Other Planets, is more in tune with current trends.

Josh Roseman is a young trombonist who appreciates music with a groove. His band, the Josh Roseman Unit, has a new CD called Treats for the Nightwalker that blends styles of jazz, from funk to progressive. Music critic Jim Fusilli has a review.

Music critic Will Hermes takes a listen to the new record from R.E.M., Around the Sun. The band has been making quieter, more introspective, records since drummer Bill Berry left the group in 1997.

Guitarist and singer/songwriter Richard Thompson might be considered a cult artist — not widely known, but critically adored. He was a founding member of the vastly influential British folk band Fairport Convention. His new album is Sweet Warrior.

Arto Lindsay has been making music since the late 1970s in New York City with the band DNA was shrill and aggressive. These days, Lindsay makes Brazilian music with subtlety and grace.

The solo album by John Simon, a record producer who worked with many groups from the late 1960s and early '70s, is being reissued. Among one of Simon's most popular projects was his work with The Band and Blood, Sweat and Tears.