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Guitarist and singer/songwriter Richard Thompson might be considered a cult artist — not widely known, but critically adored. He was a founding member of the vastly influential British folk band Fairport Convention. His new album is Sweet Warrior.

Arto Lindsay has been making music since the late 1970s in New York City with the band DNA was shrill and aggressive. These days, Lindsay makes Brazilian music with subtlety and grace.

The solo album by John Simon, a record producer who worked with many groups from the late 1960s and early '70s, is being reissued. Among one of Simon's most popular projects was his work with The Band and Blood, Sweat and Tears.

Milo Miles talks about the music of Brazilian singer, songwriter, and bandleader Marisa Monte. Monte produces her own records, organizes bands and shapes every aspect of her career. She released a pair of albums earlier this year, Universo ao Meu Redor, and Infinito Particular.

Jolie Holland has a voice reminiscent of some of the great old blues vocalists, but the fresh approach of a 21st-century singer and songwriter. She was a founding member of the Vancouver roots band the Be Good Tanyas, and there is some of that sound in her music, an unschooled style with soul and heartache. Her latest CD is called Escondida.

Burdon fronted the British band, The Animals -- the 1960s group that created hits including "House of the Rising Sun," "Don't Let Me Be Misunderstood," and "We gotta Get Out of this Place." In 2002, Burdon published his autobiography, Don't Let Me Be Misunderstood. His new CD is My Secret Life.

The L.A.-based band Ozomatli has wrapped up a tour sponsored by the State Department that took the group to Egypt, Jordan and Tunisia. A side note: Members of Ozomatli are vocal opponents of the war in Iraq.

On February 8 and 9, 2013, Cincinnati will be rocking with more than 25 blues bands. The Cincy Blues Society's Winter Blues Fest celebrates over two…

The cocktail-lounge sound of the 1950's has become perversely hip among young pop musicians, but no other band makes easy-listening music that sounds quite like Stereolab's. As reviewer Mark Jenkins explains, this London based group engages in sort of retro-futurism, using older keyboards to make the newest sounds. Their latest album is called "Emperor Tomato Ketchup," on Elektra Records. (4:30) (IN S

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