A new installation at the Cincinnati Art Museum juxtaposes traditional and contemporary art in an unusual way.
Oxford, Ohio native and Miami University alum Todd Pavlisko says the goal of Crown is to make people view and experience the museum's masterpieces differently. He collaborated with a sharpshooter tofire bullets through the Schmidlapp Gallery into a brass cube. The bullet's journey was captured using high-speed cameras and edited into an audiovisual experience.
"The bullet is a docent for the art historical backdrop," says Pavlisko. "It waltzes people through the history and into modernism; and that would be the cube where the bullets came to rest. Then we'll show the whole installation amongst this institution in its more contemporary capacity, which in my eyes, is a full circle of art history."
The installation has an immersive effect. Visitors are simultaneously watching and traversing the bullet's path while viewing the museum's most prized pieces from a new perspective.
"I've edited this video to force the objects the bullet passed to act as voyeurs for the art that is happening," says Pavlisko. "I've removed them from being the things that are looked at to becoming the things that are currently watching art take place."
It will be a unique experience for the space. - Todd Pavlisko
Pavlisko says he really enjoyed the fusion of art and science that came together to make the artwork happen. The military sharpshooter's use of physics to place each bullet into a specific point on the brass cube is the perfect example of how the work is cross-disciplinary collaboration.
"I'm passionate about this piece because it's a really diverse piece of art. It has so many levels and so many layers that I'm excited about putting it on view because it will charge the space. It will be a unique experience for the space. It talks about time and it talks about collaboration and certainly art history."
Crown opens Saturday and runs through June 15, 2014.
All the Money I Found in a Year
Pavlisko now makes his home in New York. In a second installation running concurrently he explores the plasticity of time. He collected every coin he found - on the ground, in cabs, etc - for the past ten years. He gold-plated each coin and cataloged it by year. The coins are arranged in squares and rectangles, a nod to the brass cube in Crown, on the floor of the museum's Dutch Galleries.
